Vera Blue, what's happened to you? (Yeah. To explain lyrics, select line or word and click 'Explain'. Live from Peabodys Down Under in Cleveland, Ohio on November 18, 2007, I was given permission to film this concert, thanks to the guys in the band.Chemlab is. Taking a ride with the pretty things tonight You know it's wrong but it feels so very right Taking a ride with the pretty things tonight You know it's wrong but it feels so fuckin' right Yeah. Chemlab Pyromance lyrics Post my meaning Write my explanation new. right out of this world She's the Andricon girl (Breathtaking, wasn't she? A truly beautiful woman) Livin’ in the galaxy, of bombed-out bars, with Jesus Christ Porno Star Hangin’ around with her favorite crowd, she's the Queen of the Loud With sultry wire legs and a digi-steel frame Hooked on the hiss of the butane flame She's terminal blue. There is no doubt about it Chemlab were one of the best bands to come out of the Industrial rock / Coldwave scene. she's right out of this world She's the Andricon girl After hours in the valley of downs, tripped-up all over town After 3, she's down on Avenue C, kicking down with the clowns Right out of this world And she's lost in the swirl.
I really recommend checking this CD out, especially if you are into. While a bit more head-bobbin’ industrial metal than they may prefer to be perceived, it sure as shit beats writing new blah-rock with misfiring artsy yearnings.Heading for a wreck at the end of the world You can tell she's hydraulic A silver scream in super sonic You can see the mercury smear in her eye Right out of this world And she's lost in the swirl. My favorite tracks on the CD are Exile on Mainline, Vera Blue and Pyromance. They were younger, more vital, more angry, and much more expressive back then. It is track 4 from the album East Side Militia that was released in 1996. Not a song on this CD stands up to even the not-so-great songs on Burn Out At The Hydrogen Bar. Three of the final four tracks (excluding those zany blank tracks almost have a spark of life in them, but that’s probably only in comparison to the beating-the-dead-electric-horse previous tracks. The oh-so brilliant writing talent of one-spin-off-wonders Filter’s Geno Lenardo shines through in the complete snoozer “Pyromance.” It’s so dull, it almost makes The Crow II Soundtrack sound interesting which, of course, is impossible to do without heavy meditation. This makes God Lives Underground sound tough. It’s like Silt or Guilt, or whatever the hell that Machines of Loving Grace mid-tempo turd was.
#CHEMLAB PYROMANCE FULL#
But even Broken was pretty cool, despite its leaning on tired clichés. Closely as a split lip So full is the city Move and skip swivel in Sink my fingers in your hair the sweat and smell of our liquid affair in a gasoline burn. It’s like waiting three years to have Trent release a heavy metal record.
Limp rock with expansive toys used ineffectively does not an electronic pioneer make. If they’re to be billed as “tomorrow’s techno terrorists today!” or some such hogwash, you’d guess they’d be a little more, y’know, aggressive than the mid-tempo, pseudo-arty, electronically-enhanced, minimalistic pop rock on East Side Militia.
You’d think after almost three years, Chemlab could come up with something a little more powerful.
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